Slow boat from Barisal

Since the Mughal period, Barisal, on the west bank of the Kirtankhola, a distributary of the Lower Meghna, has been an important port. The commercial gateway to the southwest delta, Barisal has been described as the “Venice of Bengal” or “Venice of the East,” although if you’re just counting waterways, almost any large town in southwestern Bangladesh is a Venice.

The Kirtankhola channel is not deep enough for the ocean-going cargo ships that steam up the Lower Meghna from the Bay of Bengal, but it can handle smaller freighters that ply between the towns of the delta region, carrying bricks, building materials and bulk agricultural produce. Motorized nouka deliver fruit, vegetables and fish to villages, and ferry passengers, bicycles and animals across the rivers; the catamaran version—two nouka with a wooden platform—is large enough to carry a couple of vehicles. There’s a new road bridge across the Kirtankhola at Barisal, but most rivers and channels are not bridged, and ferries are the only way to avoid a long journey on dirt roads. 

I had flown to Barisal from Dhaka but decided to take the boat back. After meetings at the local university and medical college, my UNICEF host, Sanjit Kumar Das, took me home to his apartment to meet his family. His wife had not only prepared desserts but made up snacks for my return trip to Dhaka. Sanjit had booked me on the 3:00 p.m. Green Line Waterways launch. “You’ll be on the launch for at least seven hours,” he said.  “You can buy food on board, but this will keep you going.”

In the Bangla transportation vocabulary, the English word “launch,” derived from the Spanish lancha (barge), is not what you’d expect—one of those sleek party boats that line marinas in Florida, or the kind of patrol boat the coastguard and police use to chase drug runners. The Bangladesh “launch,” often four decks high, carries several hundred passengers, and sometimes vehicles and cargo. One type looks like a modern ferry—the kind you’d take across the English Channel, but without the drunken football fans in the bar—while another looks like a Mississippi sternwheeler, all open decks and verandahs but without the stern wheel. From Dhaka’s Sadarghat ferry terminal, launches to southern destinations—Khulna, Barisal, Patuakhali and islands of the delta—leave in the early evening, and offer comfortable cabins with air conditioning. I haven’t done the trip this way, but travelers tell me it’s exhilarating to leave behind the noise and pollution of the capital and float off into the sunset.

At the Barisal ghat, Sanjit and his daughter guided me through the stalls selling street food, snacks, fruit and vegetables. Three launches were moored, and Sanjit wanted to make sure I boarded the right one. I stood on the top deck and waved goodbye. Below me, nouka glided in and out of the ghat, carrying passengers, bicycles, motorbikes, yellow water barrels and fruit and vegetables. Small boys jumped into the water, splashed around and climbed back up the wooden pillars supporting the quay.

A man emerged from the launch’s kitchen and laid a long blue rug on the open deck. Passengers would need to pray during the trip. I wondered if someone with a compass or a smart phone was appointed to adjust the arrow to Mecca to the meanders on the river.

After several blasts from the launch’s horn, we cast off.  For an hour or so, I stood on the open deck enjoying the breeze and watching life on the Kirtankhola—the shore line of coconut palms, bananas, mango trees and small settlements, fishermen casting their nets, cattle grazing on low, grassy islands. We passed small freighters heading downstream with loads of gravel, bricks and sand, and nouka crossing the river. After two hours, we joined the Lower Meghna and the shoreline disappeared into the late afternoon haze. There wasn’t much to look at except for larger cargo ships and swooping seagulls, so I retreated to the air-conditioned upper deck. It was a midweek departure, so I had my choice of seats. A steward brought me tea and I settled down to read a book and make some travel notes.

It was difficult to concentrate because of the constant chatter from the TV monitors, occasionally interrupted by gun shots and car crashes. Green TV was offering a steady stream of Bangla-language movies with routine plots and stock characters. The Dhallywood (Dhaka-based) movie industry is not as large or well renowned as its Indian big brother, Bollywood, but it has perfected the mass production process, churning out hundreds of movies a year for domestic audiences and the Bangladeshi diaspora in the Middle East, Malaysia and the UK. There were shoot-outs on city streets, car chases, and love scenes on beaches and green mountain pastures, the characters’ slow-motion passions enhanced by rain, mist and other artificial weather elements. Most characters appeared to change clothes every couple of minutes, the women dressed in bright colors, the men with slicked black hair usually dressed in smart suits and sporting sunglasses, even during night scenes.

It was night by the time we reached the Buriganga River, the channel of the Padma that flows through Dhaka. We passed overnight launches heading south, their deck lights illuminating them against the dark water. Many passengers were on deck, enjoying the cool night air. We docked at Sadarghat, and I emerged into the maze of Old Dhaka, the streets crowded with auto-rickshaws, trucks, buses and people. I was already missing the river.   

Get your kicks on Route 6

“It’s my tribute to Route 66!” Sujoy Vai struck a pose under the sign of his roadside eatery in Rajshahi, a city in western Bangladesh. He gestured towards the midday melee of auto-rickshaws, carts and battered buses. “We’re on Bangladesh Route 6.”

With his shoulder-length graying hair, sun-beaten face, faded salmon pink T-shirt, jeans and sandals, Sujoy could have passed for an extra from the cult classic Easy Rider, or a member of a 70s rock band that had never abandoned its studiously scruffy dress code. I guessed he was in his early 50s. The Rolling Stones’ rendition of the rhythm and blues standard, released on their 1964 debut album, had inspired the restaurant name. 

Route 66 is a story by itself. Composed in 1946 by songwriter Bobby Troup after a 10-day cross-country trip with his wife in their 1941 Buick, two versions—an upbeat, jazzy one by Nat King Cole and a softer, swing-style rendering by Bing Crosby with the Andrews Sisters—hit the Billboard charts that year. Other artists—from Chuck Berry to Van Morrison to Perry Como—went on to record it. For Sujoy, it was the Stones’ version that conjured up his American dream of the open road, where he could “go take that California trip.”

National Route 6 in Bangladesh does not evoke the same feelings. It winds a mere 90 miles southeast from Rajshahi in western Bangladesh along the Padma (Ganges) valley before dead-ending at the river port of Kashinathpur on the Jamuna (Brahmaputra). The only kicks you’re likely to get are from goats straying onto the road.

At the Route 6 De Lounge (to give it its full name), Sujoy looked a little out of place among a young, mostly male, clean-cut clientele, with neatly pressed shirts and pants and short haircuts. Sujoy, who may have renounced capitalism at one time in his life, is now a successful entrepreneur—the restaurant cum coffee house cum smoothie bar just outside the main gate of the University of Rajshahi is a popular hangout for students and faculty. Sujoy’s customers buy into the American popular culture motif with Facebook endorsements. “Oh man, it is simply awesome,” wrote one. “I am just loving it, dude.” This is probably untranslatable into Bangla.  

The original US Route 66 signs had black lettering on a white background, not the red, white and blue logo of the interstate highway Sujoy chose for his Route 6 sign. I decided not to quibble about accuracy in signage, but to bring him a black and white version if I ever visit Rajshahi again. Of course, most of the original signs along the US highway were stolen by collectors and Stones’ fans years ago; today, the online trade is in embossed aluminum reproductions, touched up with lithographed rust stains and bullet holes to look like the real thing. At least Sujoy is more creative than the owner of the Outback Fast Food & Coffee House down the road, which shamelessly reproduces the restaurant chain’s logo. And the Route 6 food is good, if not exactly what you’d find winding from Chicago to LA--the standard Bangladesh mixed menu of Bangla, Indian, Chinese, Thai and Continental dishes, along with the signature Route 6 burger. 

On the road in western Bangladesh

The city of Jessore in western Bangladesh, with its winding alleys and lively markets, has always been commercially and strategically important. It is a transportation hub, where the main north-south road from Rajshahi and Kushtia to Khulna crosses the east-west highway to India. The frontier at Benapole, an untidy cluster of hotels, restaurants, warehouses and transport facilities, is less than 30 miles west. In 1971, as Pakistan’s army battled Bangladeshi regular forces and mukhti bahini guerillas, millions of refugees fled west along this route to India—an exodus memorably described in Allen Ginsberg’s poem, September on Jessore Road.  In early December 1971, Bangladeshi and Indian forces recaptured the city, a victory that set the stage for a rapid advance and the surrender of Pakistan’s forces.

Today, the Jessore road remains the main overland commercial route between the two countries. Trucks rumble west, carrying textiles, jute products such as rope and sacks, scrap metal and agricultural produce. Bangladesh imports coal, petroleum, chemicals, rice and manufactured goods, including cars and trucks. On the road south from Jessore to Khulna, we passed rail junctions where laborers off-loaded coal from trucks into rail cars, part of a supply chain that begins in the mines of Bihar and West Bengal and ends at the power stations that supply Dhaka’s garment factories and residents.

In contrast to the northern section of the road from Kushtia to Jessore, which is bordered by rice paddies, corn fields and mango plantations, the southern section is more industrial. The region has deposits of mica and bauxite and produces building materials; we passed the tall chimneys of brick kilns, cement plants and factories with rows of bicycles parked outside. The dull grey concrete buildings were interrupted by unexpected splashes of color—apartment blocks and commercial buildings painted from basement to roof in bright red or green, advertising cement, chips, tea and mobile phone services. Perhaps only in South Asia can you buy not only a roadside billboard, but a whole building to push your product. On some, an uplifting slogan was added to the product name and logo, a small dash of corporate social responsibility to atone for dunking yet another block in company colors. It was nice to know that the company that sold you chips also believed that “The Learned are Judicious.”

Beyond the kilns and plants, the rice paddies stretched into the distance, irrigated by diesel-powered pumps drawing water from the aquifer. Along the road, lined with eucalyptus trees, peanuts were laid out on tarpaulins to dry. The most important cash crop in this region is shrimp, raised in fresh and saltwater ponds; we saw blue nets stretched across the ponds and small fields of red—harvested shrimp drying in the sun. Logs were piled on the roadside, ready to be fashioned into furniture. South of Khulna is the Sundarbans, the delta area with the largest continuous mangrove forest in the world. It is home to deer, wild boar, otter, saltwater crocodiles, river dolphins and the last surviving Bengal tigers. Officially, it’s a protected area, but its vastness and lack of roads make it difficult to police. Illegal logging has become a lucrative industry.

Khulna, where we stayed overnight after a visit to the university, is an old river port on a distributary of the Padma. It used to be a center of the jute industry, but today shrimp is its major export. With a population of just over one million, it’s the third largest city in Bangladesh, but a distant third; Dhaka has a population of 8.5 million and Chittagong 4.5 million. It’s still a bustling place, crowded with trucks, buses, auto rickshaws and cars. We stayed at the City Inn, a three-star establishment with a temperamental elevator that promoted itself as the “symbol of elegance.”

From UNICEF’s perspective, there’s a lot to do in western Bangladesh. Poverty rates are high, and many children suffer from poor nutrition. Overall, the country has improved its maternal and childhood mortality rates, but some western districts are lagging. Many children work in agriculture and small industry, so child labor is an issue. On the other hand, why would parents send their children to school when the quality of primary education is low, and poorly-paid teachers sometimes don’t show up for class? The government’s failure to provide education, health and social services has created needs that are partly filled by development agencies and by the mosques which operate madrassas.

I was told there were Islamic State-affiliated training camps in this region where young Muslim men are radicalized and sent to Iraq or Syria. At the Islamic University of Kushtia, which has a large department of religious studies, I trod carefully in my discussions with faculty members. I need not have worried because they were typical academics, contemptuous of all authority.

I would have likely faced more hostility from the motorcycle gang we passed on the road near Jessore, waving red flags. The region, like its Indian neighbor West Bengal, is a stronghold of the Communist Party. I thought the bikers all looked rather revolutionary chic—sooooo Che Guevara with their red bandanas embossed with the hammer and sickle. But I was not about to stop and commend them on their sense of fashion.

Exploring Old Dhaka

Even with a guidebook, I was not ready to single-handedly tackle Old Dhaka, with its winding, unnamed streets and back alleys. I called Taimur Islam, director of the Urban Study Group (USG), a non-profit outfit that offers walking tours. He said the morning tour had already left, but that he would see if I could join the group. He called back a few minutes later. I passed the phone to my auto-rickshaw driver and Taimur gave him directions. We set off on a harrowing, bumpy ride through the narrow streets.

I met Ana, a USG volunteer guide, at a 19th century merchant’s home, built in brick in the British colonial style with colonnades and balconies. Like most historic structures in Old Dhaka, it was in serious need of restoration. Years of baking heat and monsoon rains had taken their toll. The stucco had peeled off the walls and columns, exposing the brick, and the wooden balconies sagged. Small trees sprouted out of cracks and gutters.

Old Dhaka, wedged between the commercial center of Bangladesh’s densely populated  capital city and the River Buriganga, began its life as a river port with bazaars. From the 17th century, under India’s Mughal emperors, it became the most important commercial center in East Bengal, producing and exporting muslin, a high-quality woven cotton. Dhaka thrived until the 19th century, when British merchants took advantage of favorable tariffs to flood the market with imported cotton goods, sending the local industry into decline. It was cheaper to buy shirts from the mills of Manchester than to produce them at home.

Entrance to Shakhari bazaar

The city attracted Bengali Hindu artisans who lived peacefully alongside their Muslim neighbors. On March 26, 1971, when Pakistan’s army launched its offensive to put down the independence movement in what was then East Pakistan, politicians and clerics declared they were fighting a “holy war” to defend Islam. The army targeted the Shakhari bazaar, killing hundreds. Some Hindus fled to India, but many stayed. Their storefronts spill onto the bazaar’s narrow central street; down side alleys, in workshops squeezed between small Hindu temples, artisans fashion bangles and jewelry from metal and conch shells.  

In 2004, an old building in the bazaar collapsed. The government, supported by developers who saw an opportunity to grab prime real estate, proposed that many historic buildings, some from the colonial era, be demolished for safety reasons. Historians and conservationists were outraged, arguing the city’s cultural heritage would be destroyed. The controversy was the impetus for the founding of the USG by Taimur, a trained architect. The group campaigned to have streets and buildings designated as historically significant, and so protected from demolition. Some building owners opposed the designation, saying they did not have the money to maintain or restore their properties. The debate over preserving Old Dhaka echoes conflicts in other cities, with government agencies, developers, property owners and preservationists taking their disputes to the courts and the media.

The USG may have met its original goal of saving the buildings from demolition but restoring them will be a longer struggle. Landlords are unwilling to throw out tenants, lose rental income and invest in restoration. In Western countries, a government agency might buy the buildings and restore them, but in Bangladesh the government has other priorities. It’s difficult to argue for public funds for historic restoration when schools and health clinics are under-staffed, roads need to be repaired, and flood levees built.

The Water Palace, Old Dhaka

On the bank of the Buriganga River, a former merchant’s mansion, the Water Palace, is in a dilapidated state. It houses families of the Army Corps of Engineers, one of the government agencies that provides free or low-cost housing to staff, partly to compensate for their low salaries. We stood in the central courtyard, looking up at washing draped over the balconies as children played hide-and-seek among the pillars and narrow passageways.

One part of the palace has been taken over by Old Dhaka’s spice bazaar. From the mid-18th century, the French and British East India companies competed for the export trade in turmeric, ginger, garlic, chili, and other spices. The French were kicked out in 1757 after their ally, the Nawab of Bengal, was defeated by Major-General Robert Clive at the Battle of Plassey. The victory allowed the British East India Company to take over most of Bengal, and then expand its control across the sub-continent. In Old Dhaka’s Farashganj (the name is a corruption of Frenchganj, meaning French market-town), the merchants left behind stylish mansions with balconies and wrought-iron balustrades.

From the rambling Chowk bazaar, which for four centuries has been the city’s main wholesale market for fruit and vegetables, we emerged at the busy Buriganga waterfront. Bangladesh is dissected by more than 700 rivers; although its highway system has been improved, much of its commerce and many of its people still move by water.

Three-deck ferries (called launches) were lined up, waiting to take on passengers and cargo for destinations in the southern delta, where three major river systems, the Jamuna (Brahmaputra), Padma (Ganges) and Meghna, empty into the Bay of Bengal. Small cargo freighters loaded with building materials sat at anchor, ready to unload. On the south side of the river, freighters were hauled up on the bank for repairs; workers clambered over the hulls and decks, the sparks from their acetylene torches flashing. Motorized wooden nouka, the traditional Bengali river craft with a flat bottom and high prow, loaded with pumpkins, gourds, cauliflowers and coconuts, sacks of onions, garlic, potatoes, chilis and mangoes, were pulled up on the bank near the bazaar. Porters piled the produce into broad baskets and formed a human chain, carrying them on their heads and passing on to the next link.

There is no bridge over the Buriganga. The only way  to cross is in a narrow nouka, poled by a boatman. One USG volunteer asked if I would like to take a trip.  I looked at the wobbling craft and the dirty water. “I think I’ll just stick with the walking tour,” I said.  

Land of rivers

For a small country, close in size to its near neighbor, Nepal, or about the size of Illinois or Iowa, Bangladesh has an exceptionally large number of rivers, around 700 according to most estimates. Roughly 10 per cent of its land area is water, a high proportion considering that it has no large lakes. In other words, most of that water is moving, at least in the monsoon season. And when Bangladesh floods, as much as one third of its land area may be under water. The rivers are constantly shifting course, creating new channels or distributaries, making accurate mapping a frustrating exercise.

Three major river systems combine and empty into the Bay of Bengal. After flowing across the Indian state of Assam, the Brahmaputra turns south to enter Bangladesh where it is called the Jamuna. The second system is the Padma, the name given to the Ganges in Bangladesh. The third river system, the Meghna, also brings together rivers flowing out of India’s northeast. The combined waters of the Padma and western Jamuna join the Meghna south of Dhaka to form the Lower Meghna. At its widest point, the Lower Meghna is almost eight miles across, land, river and ocean merging into one hazy landscape. A maze of channels and distributaries combine into the great Gangetic Delta. At 23,000 square miles, it’s the largest delta in the world—the size of Lake Huron or almost as large as the state of West Virginia. The delta is ground zero for climate change, with floods and cyclones blowing up from the Bay of Bengal to submerge low-lying islands and push brackish saltwater inland. 

For Bangladesh’s rural population, the river is interwoven with every aspect of their lives. It sustains agriculture—rice paddies, fields of corn, mango orchards, fish and shrimp farms, herds of cattle, and flocks of ducks. It is the main highway for commerce, with nouka carrying fruit, vegetables, livestock, and building materials. In many places, you need to travel by river to reach the school, the health clinic or the government office.

The river, its seasons and rhythms, are common themes in Bangla literature. They figure prominently in the novels, short stories, plays, poems and songs of Rabindranath Tagore (1861-1941), a leading figure in the Bengal Renaissance and the first non-European to win the Nobel Prize for Literature in 1913.

As a zamindar—a hereditary landlord with the right to collect taxes from farmers—he and his entourage cruised the Padma and its tributaries on the well-appointed family houseboat. He witnessed the grinding poverty of rural Bengal and studied its folk traditions and songs. Several works from this period focus on the river, both literally and metaphorically, as in his famous poem, The Golden Boat (1894):

Clouds rumbling in the sky; teeming rain.
I sit on the river bank, sad and alone.
The sheaves lie gathered, harvest has ended,
The river is swollen and fierce in its flow.
As we cut the paddy it started to rain. 

Who is this, steering close to the shore
Singing? I feel that she is someone I know.
The sails are filled wide, she gazes ahead,
Waves break helplessly against the boat each side.
I watch and feel I have seen her face before. 

Oh, to what foreign land do you sail?
Come to the bank and moor your boat for a while.
Go where you want to, give where you care to,
But come to the bank a moment, show your smile -
Take away my golden paddy when you sail. 

For Tagore, the river was more than a setting for tales of love won and lost, or a place to marvel at the beauty and power of nature. From the 1920s, he became increasingly involved in social and political causes. He supported Indian independence while denouncing the elitism of its educated, urban leaders who, he felt, put political goals ahead of relieving poverty and suffering. In his later works, the river becomes a metaphor for class and social justice. In the poem Kopai, he compares a small river “intimate with the villages” where “the land and water exist in no hostility” to the majestic Padma, which is indifferent to humanity:

She’s different. She flows by the localities,

She tolerates them but does not acknowledge;

Pure is her aristocratic rhythm.

Across the wide Jamuna

For centuries, the Jamuna, the name given to the Brahmaputra in Bangladesh, had, like Tagore’s Padma, its own “aristocratic rhythm,” dividing the country vertically into two nearly equal halves. It was both a highway and a barrier to travel and trade. The only east-west links were by ferries carrying vehicles, rail cars, freight and passengers. Ferry traffic depended on navigability; in rough weather or in the dry season, east-west commerce was practically halted.

Soon after partition in 1947, political parties and businesses began campaigning for a bridge across the Jamuna. Consultants were hired, feasibility studies commissioned, and committees appointed. The project was abandoned more than once. By 1982, the estimated cost had climbed from $175 to $420 million. The clincher was to make it a multipurpose bridge, carrying a two-lane roadway, a dual-gauge railroad line, a natural gas pipeline and power and telecommunications lines. It was named the Bangabandhu Bridge, in honor of the hero of the independence movement, Sheikh Mujibur Rahman, known popularly as Bangabandhu (Friend of Bengal). By the time his daughter and then-president Sheikh Hasina opened it in 1998, the cost had risen to almost $700 million.

Building the bridge meant taming the river. Records showed that at flood stage, the Jamuna could stretch almost nine miles across. A nine-mile bridge was not in anyone’s cost calculations, so engineers built a channel to confine the Jamuna, keeping the bridge length down to 3 ½ miles. Construction required anchoring 49 spans in the river bed, and building east and west viaducts, each with 12 spans. When opened, it was the 11th longest bridge in the world.